To avoid any shadows from the transport bridges, their undersides are fitted with integrated Lightcast Downlights for metal halide lamps. These provide high luminous flux — adjusted to suit each particular room height by using different wattages — combined with optimum anti-glare protection via Darklight reflector technology. The raw, bare concrete surfaces of the building shell and main corpus are host to scenic lighting effects in the corporate colour blue.
These surfaces become an eye-catching orientation point in the space continuum. The lighting designers from Equation Lighting specified cantilever-mounted Parscoop Washlights for this task.
The light from the blue-coloured metal halide lamps is so intense that the effect clearly stands out even in the daylight. The thoroughfares are very generously proportioned since the entire workforce has to use them at the start and finish of the shifts.
Light is also used here to add structure to the bare concrete surfaces: double-focus downlights for metal halide lamps illuminate these thoroughfares with precisely scalloped beams providing high visual comfort. This results in contrasting zones — zones in which the intensive, coloured light of blue metal halide lamps is once again used, only this time fitted in lens wallwashers in order to tone the wall zones with an absolutely even colour.
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You also have continuous access to all ERCO media in the download area. However, in the center of the resort has built a unique structure, designed by the architects Zaha Hadid and Patrick Schumacher.
This administrative and communications center combines modern design with great functionality and versatility. The building combines the areas of production, providing a shortcut in the communication of different departments, and providing spaces for encounters between workers, or workers with visitors to the plant. The design resulted from a competition which involved a total of 24 proposals. The project was unanimously elected the members of the jury, composed of representatives of BMW and architectural experts.
In he received the German Architectural Award, one of the most prestigious of German architecture. At the time he commissioned the project, the production and storage sheds were already built. The new building is located on a portion of land in the center of the three departments of the factory. Marking a new vision of work in auto plants, the Central BMW has the areas of management and integrated assembly: from anywhere in the building can see the vehicles on the road one after another in line.
And this, for everyone who works there acts as a constant reminder: the key to success lies in the quality of production. That was the intention of the project.
The building perfectly embodies the spirit of the enterprise movement. Its lines travel fast, almost flee, drawing smooth curves environments and enclosures, similar to those of BMW luxury cars. This book takes that concept to its logical conclusion. Because the flow of vehicles by a totally fluid, all other aspects of the production flow as well. There were few who were skeptical when knowing that the movement of vehicles in a line across the building at the top would be the thrust of the key design and to mix the two worlds of work: manufacturing and administrative.
Many thought it would be very noisy, however this was not the case. The central building acts as brain of the whole factory complex, and where the confluence of three main segments of production: Body, Paint and Assembly. The personal data collected shall not be disseminated or ceded to third parties but may be communicated to companies, bodies or other entitles attending the event as partners, guests, sponsors or exhibitors for promotion purposes or in order to ensure the efficient organization of the event.
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Data subjects also have the right at any time to withdraw their consent to the processing of their personal data, oppose such processing and request information from the Privacy Office of the Data Controller, Maggoli S. The call for tenders specified the aim of translating industrial architecture into an aesthetic concept that would equally comply with representational and functional requirements. Its architecture adapts and moulds itself to the site, orienting the various directions of access, synthesising a complex series of concerns into a seamless, integrated whole.
This is made possible by the curvilinear morphology that incorporates a multitude of forms and directions without fragmentation. The project is contained in a narrow stretch of land since the adjacent buildings had already been finalised. The Central Building is the nerve-centre of the whole factory complex, the core linking the 3 main departments of Body-in-White, Paint Shop and Assembly while serving as the entrance to the plant.
The building acts therefore like a force field attracting and distributing. Its architecture expresses this function clearly: circulation routes and segments of production converge on this giant compression chamber where workers and visitors but also production lines intersect and communicate. As a point offering administrative and reception facilities for workers and visitors, it enhances communication and interchange.
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